Montreal Audio Fest 2017 - Montreal, Canada
- Written by Jason Thorpe Jason Thorpe
- Parent Category: Montreal Audio Fest 2017 Montreal Audio Fest 2017
- Created: 24 March 2017 24 March 2017
After four hours of sleep, a 5 a.m. departure from Toronto, and a five-hour drive in shitty, snowy conditions, I was not in a patient, receptive state of mind. I usually arrive at the Hotel Bonaventure, site of the Montreal Audio Fest (formerly called Salon Son & Image), later on Thursday night and start meandering around the show on Friday morning, fresh after a nice breakfast and an imperial quart of coffee.
But there I was, Friday at noon, crusty and mean spirited, just rolling into town. I checked in, threw my bags in my room, and hit the beat. The first stop was the Wynn Audio room, featuring massive Tidal Sunray speakers. Here, I figured, I’d be inspired and refreshed by a statement-level system -- the perfect place to get my head screwed on tight.
After listening for a while, I became perplexed, working my way toward angry. The first two tracks were solo bass, with a gentle ride cymbal swishing away over the top. Further muddying the waters, the volume level was quite low, which meant the presentation had to fight with Led Zeppelin’s “Rock and Roll” playing a good deal louder in the Tannoy room across the hall.
What the hell was the point of this exercise? Drag me in from Toronto (so reasoned my addled mind) and condescend to me with insipid music? Bah! I stood up as angrily as my meek Canadian manners would allow and quietly stormed out.
Muttering to myself as I walked down the hallway, I caught wind of a song from my youth. Thomas Dolby’s “I Scare Myself” wafted out from the room of Audio by Mark Jones, a retailer based out of Whitby, Ontario. As if grabbed by my nose ring, I listed into the room and flopped into the sweet seat.
My anger evaporated, and beautiful, richly detailed sound washed over me. This track -- scraped off Mark Jones’s original, from-his-youth 45rpm 12" single -- is what audio, hi-fi, stereos, and music are all about. I could see into the sound and feel the music in my bones. Realistic and detailed without drifting to brightness, with depth and imaging that told a story.
The system consisted of the CH Precision C1 D/A converter-preamp ($47,900 with all options), P1 phono preamplifier ($41,800), and M1 stereo amplifier ($68,200). That 45rpm single was reproduced via a Lyra Aetna SL cartridge ($13,000), Kronos Pro turntable ($38,000) with Black Beauty tonearm ($8500), and Kronos SCPS power supply ($13,000).
The (very red) speakers were Focal Sopra No3s ($25,000 per pair), which were wired up with Nordost Valhalla 2.
Was it the music or was it the system that affected me so? My sleep deprivation may have made me malleable to suggestion from the music of my youth; there is that possibility. But it could also have simply been the combination of a damn good system and music redolent with emotion.
It’s Friday night now, and first thing Saturday morning I’m going to head back down to the Wynn Audio room and insist that they play some real music. Stay tuned for a re-evaluation of that system.
Senior Contributor, SoundStage!
Most-Read Articles on Global
- KEF's Killer Compact Monitor: The LS50
- Vitus Audio Masterpiece MP-L201 Preamplifier and Masterpiece MP-M201 Monoblock Amplifiers
- Super Speakers: Results
- More Magico, Less Money: The S5 Loudspeaker
- Awful Avalon
- CES 2015: Competition is Fierce
- The Perfect Power Amp -- Ayre Acoustics' New VX-5
- Glorious Giyas: Vivid Audio's New G3
- The Limited-Edition Tribute: Near-Perfect Paradigm
- Hegel: 10 to 11 for 0
- TWBAS 2012 Introduction from Las Vegas (Video)
- Wadia’s 321 Decoding Computer: An Affordable Exercise in Style and Substance
- WideaLab Aurender S10 Music Server
- Building the Qs: Part Two
- My Three Favorite DACs at CES 2012