Cuttin-Edge, On-the-Spot Reporting

The Model T: Balls-to-the-Wall Bryston

Canada's Bryston Limited is a company legendary for power amplifiers, preamplifiers, and more recently, digital-source-type products such as the BDP-2 digital player and BDA-2 digital-to-analog converter. Now the company is jumping headlong into the loudspeaker market with the introduction of their first product. Named the Model T, its starting price is $6495/pair for the passive version with an internal crossover and a standard finish. Premium finishes increase the cost, as does the option for an external passive crossover or an external DSP-based crossover, the latter option creating a fully active solution. A stand-mounted version as well as a center-channel and subwoofer (both passive and active) are also in the works. Obviously, Bryston is optimistic and thinking ahead.

Bryston setup

TAVES 2012 was the official public launch of the Model T, and according to Bryston's James Tanner, the response was overwhelmingly positive, which was evidenced by their room being packed almost every time we walked past it. We sat down on Saturday for a long listen and it was easy to hear why -- the Model T offers extremely deep, tight bass; reference-class clarity from the bass through the highs; and nearly unlimited dynamic capabilities. The soundstage was also remarkably deep with precise imaging, which surprised us for a speaker of this size and driver complement.

I understand that one of the design goals of the Model T was for it to be able to take full-power from Bryston's biggest amp, and from what we heard at TAVES, it appears that they've achieved that, among many other things -- they were driving the entry-level passive Model Ts with a couple of 28B SST2 amps, a mono design rated at 1000W into 8 ohms. The Model Ts played astonishingly loud, all the while remaining notably clean, with even the most raucous selections Tanner could find to play through them. Bryston's Model T is a real balls-to-the-wall design.

Bryston Model T

If there's something to criticize, it's this: the standard-finished Model T isn't the looker that comparably priced competitors are. It's rather utilitarian looking and without graceful curves. It's also quite large, meaning it won't slip discreetly into most décors. The dual tweeters and dual midranges also might make some pause for thought, even though their inclusion was a deliberate design choice to improve output capability and lower distortion. When James is asked about the drivers, he simply says, "Just listen and you'll hear why." A wise move, because the proof is in the listening.

For those people with a large room who want a speaker that can deliver large-scale, full-range sound and convey the full dynamics of even the most challenging musical pieces, the Model T's looks will likely take a backseat to its extremely impressive sound and reasonable price.

Doug Schneider
Founder and Publisher, The SoundStage! Network

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