Seldom does a consumer product attain the success or longevity to affect a collective consciousness, let alone a hi-fi product. But the Bose 901 speaker system is exactly one such product. With a nearly half-century-long history, the 901 has enjoyed incredible commercial success and has generated much conversation amongst audiophiles. The 901 is one of the most unconventional designs in the history of audio and one of the most recognizable.
Though they were less numerous than today, a plethora of hi-fi companies in the postwar era developed and sold the products that laid the groundwork for stereo both as a hobby and as ubiquitous home entertainment. Some of their names are recognizable to us still: loudspeakers by Klipsch and Tannoy; electronics from McIntosh Laboratory and Harman/Kardon; turntables by Thorens and, later on, Technics. Today, these companies are regarded as hi-fi royalty, with reputations built on their accomplishments more than half a century ago. However, off-the-shelf speakers and electronics weren’t an early hi-fi enthusiast’s only option: in the days of stereo’s infancy, it was not uncommon for one to assemble or even fabricate the components of the system oneself.
Mobile Fidelity Sound Lab (MFSL), the record label known for its audiophile-grade remasters of hundreds of classic albums, has recently become a cause célèbre among collectors and audiophiles on YouTube and social media. In July, it was revealed that the label’s supposedly all-analog vinyl mastering process actually involves converting the source tapes to DSD files before cutting the master disc, flying in the face of their previous claims.
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