Over the past few years, Pro-Ject Audio Systems, the Austrian manufacturer of turntables of all sizes and types, has focused on affordable ’tables, seemingly at the expense of its higher-end models. Who can blame the brand? The vinyl revival has undoubtedly been a goldmine for Pro-Ject. Churning out thousands of affordable turntables just has to be more profitable than a slow trickle of high-priced audiophile models.
I’ve known Pro-Ject founder Heinz Lichtenegger for many years. We don’t hang out or anything, but we’ve conversed regularly, and it’s always a pleasure to see him at audio shows. I know Heinz is passionate about all turntables, but I also know there’s a special place in his heart for high-end models. When I reviewed (and purchased) the RPM 10 Carbon back in 2017, Heinz told me that this was probably the best ’table he’s ever made, despite the existence of two more expensive models. He’s an enthusiast, first and foremost.
When I caught up with him at the Audio Video Show 2024, over at the PGE Narodowy stadium, Heinz was extremely keen to tell me about Pro-Ject’s new Signature 12.2 turntable, which is the company’s just-released flagship. The €12,000 Signature 12.2 is a physically large turntable that appears to be built to a very high standard. The two motors drive a flywheel, with this combination promising very small variations in speed.
The new S-shaped tonearm employs a three-point bearing design that, Pro-Ject claims, combines the low friction of a unipivot with the stability of a gimballed arm. With adjustment knobs on the top of the plinth, the sprung feet promise easy adjustment. The subchassis, including the platter and arm, is suspended by thermoplastic elastomer, which helps decouple the signal chain from the motor.
In order to accommodate cartridges of varying compliance, the Signature 12.2 ships with three different headshells—carbon, wood, and metal. That’s a nice touch.
Getting my nose right in there, I noted that the Signature 12.2 is obviously a luxury product. The piano-black plinth is glossy and beautifully polished, without visible orange peel, and the metalwork is also polished to a very high standard.
Once I get back to Canada, I’m going to measure my equipment rack and—if the Signature 12.2 fits, which I think it will—I’m going to ask for a review sample.
Jason Thorpe
Senior Editor, SoundStage!
