Yesterday I examined the question that I know has been burning in your mind: does it matter if a loudspeaker company makes its own drivers? I answered in the affirmative, using the new Sonus Faber Olympicas as an example of why it can be important. And to whom. In Sonus Faber's case, it shows that the loudspeaker company has reached a certain level of maturity in their engineering and has improved their overall technical and logistical capabilities. In other words, they can really make a loudspeaker line. Make as in make.
Companies featured in gallery below: Gryphon Audio Designs, KEF, Nordost, AudioQuest, PMC, Tidal Audio, Audio Physic, Devialet, Simaudio, Naim Audio, Avantgarde Acoustic, Gauder Akustik, Soulution, Constellation Audio
Devialet's Manuel de la Fuente opened the company's May 9 press conference with some important remarks, but probably the most important for me was this one: "What is the future for our industry if everything simply keeps on getting more expensive?"
The subject of making your own drivers comes up at shows. The loudspeaker companies that are doing it themselves like to brag about it, while those that don't . . . well, they don't tend to mention it. To the consumer, as far as I can tell, it doesn't really seem to matter all that much. But should it?
Companies featured in gallery below: Reference 3A, Focal, Resonessence Labs, Grandinote, Kudos, LEEDH, O2A Cables, GutWire, Madison Audio Lab, Synthesis, Gradient, Tri-Art, DeVore Fidelity, Gala-Solo
Did you hear about the new $4.5M Lamborghini supercar? Many did -- the company announced it and it made headlines around the world despite the fact that only a few will ever be built. Obviously, people like to know about expensive stuff just because it's there, not because many can afford it.
Salon Son & Image attracts a large number of exhibitors from all over the world. It's this diverse group of exhibitors that helps to make events such as this one great. So as we've done at previous shows, we photographed a number of people who work for these companies and showcased them in this gallery in recognition of the fine work they do.
There were a few systems on display that genuinely retailed for less than $5000. Here are three of the standouts.
The rules governing the sub-$5000 system challenge weren't exactly clear. Was that $5000 at full retail price, or could it be considered the actual selling price for which retailers were willing to let it go?
Here's a unique idea for high-end audio -- value! The proliferation of cost-no-object systems at audio shows no doubt leaves the average consumer feeling somewhat left out. While featuring monstrous conglomerations of absurdly expensive gear helps to draw a crowd, that same crowd needs to see something affordable that might just work well in a real home. Of course, exhibitors do bring affordable gear with them, but it's usually stuffed in a corner, probably not even hooked up.
Welcome to the 21st century. I left my home in Toronto, heading to Montreal with a five-hour drive ahead of me. That's no big deal, really, as I love long-distance driving; I have a fun, fast car (Subaru STI) and a good stereo system (JL Audio sub, Morel speakers, and US Amps tube-hybrid amplifiers). Part of my pre-drive preparation involved copying over a bunch of high-resolution music files to my Android phone. Once in the car, I hooked the phone up via Bluetooth to my car deck and used the system for a number of tasks. I made phone calls using hands-free access, used the phone's GPS to guide me right to my hotel, and listened to music through the car system.
Several years ago I started dreaming about what I thought a perfect Windows-based laptop of the future would look like -- extremely fast (including boot-up), big screen, super thin, ultra light, durable, and without a traditional hard drive (eventually, they always fail in a bad, bad way). A couple months ago the computer I fantasized about came to life: a Samsung Series 9 ultrabook-type computer with a super-good 15" display, near-instant boot-up, and a solid-state drive. The moment I saw it arrive at the store, I bought it and have had no second thoughts since.
On March 22 the SoundStage! Network's publisher, Doug Schneider, moderated a panel discussion focused on the topic of women in audio. Invited to the panel were four women deeply involved in the industry: Anna Popva from Conceptas O2A (Switzerland), Agata Mossop from Lenbrook Industries (Canada), Gabi Rijnveld from Crystal Cable (the Netherlands), and Angie Lisi from American Sound and Angie's Audio Corner (Canada).
That show conditions are not ideal for the reproduction of recorded sound is not in question. A hotel room is an unknown quantity, and I've seen exhibitors struggle for days to try and optimize the sound of their components. Add a crowd of audiophiles who -- in the best of times -- aren't exactly cognizant of their surroundings, and things can go from bad to worse.
I sit down and listen to DeVore Fidelity speakers every chance I get (read: once a year at the Salon Son & Image show). There's something intensely intimate about the sound of these highly efficient, elegant speakers that makes me feel comfortable and warm.
The first day of Salon Son & Image is open only to the trade: dealers, distributors, manufacturers, and press. It's so the industry insiders can get together and do their work and not have to worry about interfering with the members of the public when they arrive on the following day.
Companies featured in gallery below: Arteluthe, Advance Acoustic, Aurum, Bryston, Ledoux Acoustics, Tannoy, Simaudio Moon, AIX Recordings, MA Recordings, Octave Audio, Dynaudio, Woo Audio
I hardly intended to write a piece about Magico. The California-based company has received a great deal of exposure on our Ultra Audio website. No, I resolved to profile something high-performance that had heretofore flown under the proverbial radar. Yet as I stopped by the Magico room and took in their newest offering -- the two-way S1 loudspeaker -- I suddenly had no interest in writing about anything else.
Companies featured in gallery below: Silverline Audio, Verity Audio, AudioQuest, TechDAS, Vertere, Genesis Advanced Technologies, Auralic, Vitus Audio, AVM-Tec, Chord Electronics, Van den Hul, Zanden Audio Systems, Kondo Audio Note, Jamo, Polk Audio
All prices in US dollars unless otherwise indicated
SoundStage! Global is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by JoomlaShack, Karen Fanas, and The SoundStage! Network.
To contact us, please e-mail info@soundstagenetwork.com