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- Written by: Administrator
- Category: Videos
KEF’s new Blade speaker is as big of a hit at High End 2011 as the Concept Blade was when they unveiled it here two years ago. It not only took some radical thinking to conceive of the idea for the Blade’s overall design, but also some innovative technology to put it into production and make it work. In this video SoundStage! Network publisher Doug Schneider talks to KEF’s Johan Coorg, who discusses the Blade’s technical details and explains how the unique five-driver array works and why they call it “Single Apparent Source.”
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- Written by: Doug Schneider
- Category: Features
Hegel's Bent Holter has some opinions about asynchronous USB connections that are sure to throw audiophiles into a tizzy, stir up some controversy, and cause some to say that it's flat-out heresy. Bent is the chief designer at Hegel, a Norwegian company with a 30-year track record. Bent believes that while an asynchronous USB connection can be a good way to transfer music data from a computer to a DAC, it's not the only way and it might not be the best way -- a claim that runs contrary to the thoughts of many who feel that asynchronous USB connections represent the holy grail of low-jitter data transfer.
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- Written by: Administrator
- Category: Photos
Companies featured in gallery below: Crystal Cable, Amphion, Vitus Audio, Nordost/QRT, Acapella Audio Arts, Kharma, Kawero!, Purist Audio Design, Trilogy, YBA, Shunyata Research
All prices in euros unless otherwise indicated
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- Written by: Doug Schneider
- Category: Features
Previously, I wrote about three lavish stand-mounted speakers that I described as "sinfully sensational." I called them sinful because of how expensive they are, and I called them sensational because they're so darn cool. But being sensational isn't limited to expensive products; ironically, the product that caught my eye today is one of the cheapest I've seen at this show: the tricked-out NuForce uDAC-2.
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- Written by: Doug Schneider
- Category: Features
From comments that I hear, I'm led to believe that many people think two things about me: 1) I favor mostly two-way, stand-mounted (i.e., bookshelf) speakers, and 2) I like only cheap stuff.
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- Written by: Jeff Fritz
- Category: Features
In a previous article, I made a big deal about the fact that more and more serious speaker companies are now building their own drivers. Another example is Raidho Acoustics from Denmark, and their flagship C4.0 speaker (85,000€ per pair) was making some mighty fine music in Munich. In the case of Raidho, their driver designs consist of a proprietary sealed ribbon tweeter along with ceramic cone drivers of varying sizes featuring neodymium magnet systems. The result is a trademark sound that's both full and detailed, expertly walking the fine line between "musical" and revealing.
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- Written by: Administrator
- Category: Videos
Do USB and FireWire cables make a difference? In this video, SoundStage! Network publisher Doug Schneider talks to AudioQuest's director of marketing, Steve Silberman, about the performance benefits that can come from using high-quality USB and FireWire cables that, in the case of AudioQuest, range in price from $30 to $650.
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- Written by: Jeff Fritz
- Category: Features
There was a time, in the not-too-distant past, when small speaker companies could not compete in specific aspects of loudspeaker design with large speaker companies. For instance, even five years ago it was almost impossible to find a specialist high-end speaker manufacturer that designed its own drive units. When I say "design," I don’t mean using modified drivers (or ordering custom drivers to spec or having a name stamped on the chassis by the OEM), I mean drivers engineered from the ground up by the company for the company. That's not to say that good results can’t be had having someone else do that work. But wouldn’t a company always be limited, to even a small degree, because they aren’t in complete control of their project? With recent advances in computer simulation software along with some highly specialized in-house engineering, a number of small companies are now operating on a world-class level in every aspect of the design process, including driver design.
High-end speaker making has officially graduated from its hobbyist roots.
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- Written by: Administrator
- Category: Photos
Companies featured in gallery below: Bryston, Acoustic Signature, Audio Physic, Avantgarde Acoustic, Ch Precision, Emillé Labs, Pathos, Raidho Acoustics, Stenheim, Tidal, Voxativ by Schimmel Pianos
All prices in euros unless otherwise indicated
- Details
- Written by: Doug Schneider
- Category: Features
I just love loudspeakers, so something like KEF's new Blade speaker really charges me up. It's not just because the speaker looks nice or sounds great or is brand new; it's because KEF has forged ahead and made what I feel are real advancements in loudspeaker design.
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- Written by: Administrator
- Category: Photos
Companies featured in gallery below: Gryphon Audio Designs, Alpha Design Labs by Furutech, Audio Research, Denon, Elac, Focal, Marantz, KEF, Sonus Faber, Triangle
All prices in euros unless otherwise indicated
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- Written by: Doug Schneider
- Category: Features
Audiophiles tend to have a love-hate relationship with so-called "digital" amps. These switching-type designs can deliver extremely high power and very good sound, quite often for a reasonable cost. However, few will tell you that these modern amplifier devices are flat-out better-sounding than a cost-no-object conventional solid-state or tube design. For me, nothing rivals the sound of a pure-class-A solid-state amp no matter how ludicrously large, heavy, and hot it might be.
- Details
- Written by: Jeff Fritz
- Category: Features
What would you say if I told you that the state of the art in loudspeakers can be purchased for half, or even a quarter, of the price you might think? Not really good speakers. Not almost-the-best-you-can-buy speakers. But state-of-the-art speakers. As in better than what was available just a few years ago at crazy six-figure prices!
Would you be surprised? Excited?
- Details
- Written by: Administrator
- Category: Videos
The SoundStage! Network has produced videos at shows such as High End for approximately three years; however, this is the first video shot, edited, and published at an event, another milestone in our long history of producing cutting-edge, on-the-spot coverage.
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- Written by: Doug Schneider
- Category: Features
I'm noticing a definite increase in the number of high-quality two-and-a-half-way speaker designs. At this show I was bowled over by Jeff Joseph's new Perspective, a two-and-a-half-way floorstander that costs $11,800 per pair, and I also quite liked Vienna Acoustics' Mozart Grand Symphony Edition (SE), which is just under one-third of the price: $3500 per pair.
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- Written by: Jason Thorpe
- Category: Features
I don't really like using classical music for evaluating systems under show conditions. The environment's generally too noisy to flatter the high dynamic range and delicacy of well-recorded symphonic music. And baroque is just too precious for me to take seriously for anything other than brunch in a quaint bistro. So it's usually jazz for me unless I feel like clearing a room, at which point Mr. Bungle or Tomahawk usually does the trick.
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- Written by: Jason Thorpe
- Category: Features
Imagine my surprise when I walked into the Codell Audio room and saw my home system pretty much set up and playing music.
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- Written by: Administrator
- Category: Photos
Companies featured in gallery below: Hegel, Rega, Atoll Electronique, Tangent Audio, Thrax Audio, Triangle, Vienna Acoustics, Beyond Frontiers Audio, Kronos, DeVore Fidelity, Sonus Faber, Nagra
All prices in Canadian dollars unless otherwise indicated
- Details
- Written by: Jason Thorpe
- Category: Features
Rooting around an audio show for analog products is just so 20th century. It's like searching for buggy whips at a car show.
- Details
- Written by: Jason Thorpe
- Category: Features
I never get tired of audio shows, just as I'd imagine test pilots or (trust me on this one) motorcycle reviewers wouldn't get bored with their work. It's just so much fun. Not so much, though, for the distributors and manufacturers who put in long hours sitting in their rooms repeatedly answering the same questions.
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