About 44 miles outside of Munich, just down the River Isar into Lower Bavaria, lies the small town of Landshut. Landshut is known mostly for its medieval architecture and reenactment of the Landshut Wedding. Held every four years, this festival is based on the 1475 celebration of the marriage of a Bavarian duke to the daughter of the king of Poland. It’s a cute, quaint little town in the Bavarian countryside, but it is also home to Göbel High End, a manufacturer of extreme audiophile speakers and cables.
Many believe that there exists a sort of knowledge that cannot be found in the observable universe, and that the quest for Truth (with a capital “T”) necessarily involves the pursuit of such knowledge. Studies of spirituality, magic and the dark arts, and religious esoterica exemplify this search, but for the humble electronic engineer, a deep understanding of electromagnetics is just as profound. Polish manufacturer Fezz Audio is here in Munich displaying its mastery of the subject with two new analog hi-fi products, each of which relies on seriously audiophile-grade transformers.
Doug Schneider, the SoundStage! Network’s publisher and head honcho, basically dragged me by the ear into International Audio Group’s room in one of the upper atria of the Munich Order Center. We had to drop off a Product of the Year award for Mission, which is one of IAG’s brands. I don’t normally enjoy chores like this, but I’m glad Doug pulled me into the room.
At High End 2022, DALI (Danish Audiophile Loudspeaker Industries) debuted its Kore loudspeaker, which, today, is priced at Є90,000 per pair in Europe (including Europe’s VAT, also reflected in the prices below). The company’s main goal with the Kore was to show the world everything this Danish brand had learned about loudspeaker design during its 40-year history (DALI was founded in 1983). Also, I’m pretty sure DALI’s accountants hoped the company would sell quite a few pairs.
Earlier this year, Hans Wetzel reviewed the Audionet Humboldt integrated amplifier and found it to be good. That’s the biggest understatement I’ve cranked out today—it’s a biblical understatement. The $59k (USD) Humboldt (all prices in euros except that one) impressed Hans with its insane build quality, huuuuge power, and neutral, resolving sound quality. “It’s a statement-level integrated amplifier,” he testified.
The S 230 loudspeaker, which T+A Elektroakustik recently added to its Criterion line, is still pretty much brand spankin’ new. It only began shipping last month, at a price of €9500 (VAT included) in Europe, or $11,990 per pair in the US. Naturally, I was excited to get my eyes and ears on a pair of S 230s here in Munich. Imagine my surprise when I visited T+A’s exhibition room and was greeted with a newer-still Criterion loudspeaker, the S 240.
During High End 2023, I spent a fun hour or so in the AudioSolutions room checking out the company’s Figaro M2 speaker. We listened to a bunch of cool music that was right out of my forever playlist. And it was all on vinyl. In my report on the room, I mentioned that the source was the Immersion II turntable from Poland’s BennyAudio, but I didn’t go into much detail other than to throw in a photo.
There’s something inherently gonzo about trying to report on one of these massive hi-fi shows. It’s nigh impossible to strip oneself of the sensory overload one experiences at the show so that one can write about it in a sensible way.
Wenn schon, denn schon is an idiomatic phrase in German with no direct translation to English. Even to a native German, it’s one of those things that sounds like weird nonsense once you get thinking about it. In use, however, it’s very much akin to the English phrase, “If you’re gonna do something, you better go all the way.”
As I was walking down the hallway of one of the exhibition floors at the Florida International Audio Expo this year, I spotted Gary Yacoubian outside SVS’s stuffed-full room. Yacoubian is president and CEO of SVS, which is famous for its high-value subwoofers. We’ve crossed paths at shows once or twice, but never had much in the way of face-to-face dealings. That said, I reviewed the company’s PC13-Ultra cylindrical powered subwoofer back in 2013. I just loved this all-business, overbuilt powerhouse, which, at $1699 (all prices in USD), proved to be a superb performer and a smoking bargain. In fact, I loved it so much I ended up buying the review sample, and it’s been lurking there, over my right shoulder, ever since.
Over the course of one day this past holiday season, my neighbor Rob and I moved—by my calculations—almost 900 pounds of speakers. The list was as follows, with all weights per pair:
On the evening of Friday, February 23, after the first day of the Bristol Hi-Fi Show, Naim Audio took me out for a superb meal. The evening concluded with some fine single-malt courtesy of Kat Ourlian, global sales and marketing director for SME Ltd. You’ve gotta love a gal whose only poison is whisky! As a result, I slept very contentedly.
The 35th Bristol Hi-Fi Show was held from February 23 to 25 at its usual venue—the Delta Hotels by Marriott Bristol City Centre—and the vibe was just as I’ve always remembered it. I’ve been coming here for over 30 years, and there’s a sense of energy that is incredibly infectious and quite unique. People are often packed into the rooms and spilling out into the corridors, trying to listen to the latest and greatest from the world’s finest audio manufacturers. The bar was humming all weekend, the industry was out in force, and there were some seriously impressive systems on display.
If high-end audio is to remain relevant into the 2030s and beyond, it will be thanks to products like T+A Elektroakustic’s Solitaire T headphones. Admittedly, a pair of $1700 headphones (all prices in USD) is not something the average consumer has been crying out for. But let’s say you’re nominally into hi-fi and often listen to music on a modest desktop system while working virtually for The Man. The tunes you stream as a keyboard jockey are interrupted by frequent calls from colleagues aimed at driving process improvement and client satisfaction. To decompress, you wander outside for a walk, eager for a change of scenery—but not so eager for the sound of cars buzzing by or the din of construction in the distance. Your evenings are punctuated by doing the dishes, prepping a kid’s lunch, and wiping down counters to the soundtrack of a favorite podcast or YouTube video. Maybe, if you’re really motivated, you’ll stay up late to watch a TV show on your iPad or play a videogame on your preferred gaming system. Rinse. Repeat.
Back in March 2022, when I declared the Reavon UBR-X200 one of the last remaining high-end universal Blu-ray disc players available for purchase, I didn’t anticipate the impending introduction of Magnetar’s UDP800 4K UHD Blu-ray player. It was launched in December 2022, followed shortly by the UDP900. Magnetar is affiliated with Groupe Archisoft, a company that’s connected to Reavon and also to Zappiti, a manufacturer of high-quality media players (although they’ve recently discontinued support for their Zappiti Video software). Magnetar and Reavon disc players are both distributed in the United States by Florida-based Let’s Get Physical Distribution Inc.
I took a seat in one of the Playback Distribution rooms (the company had several), with the intent of listening to the flagship Krypton3X speakers from Amphion. “Anyone here seen Barbie?” asked Rob Standley, president and cofounder of Playback.
It was the kind of serendipity I couldn’t ignore. The room next to mine was hosted by American Sound of Canada, a Canadian distributor with a bricks-and-mortar presence just outside of Toronto, which is where I live.
The day before I departed for the Florida International Audio Expo, I received an email from Wynn Wong of Wynn Audio, the North American distributor of a whole bunch of tasty brands, asking me how I was making out with the Thales TTT-Compact II turntable (review forthcoming on SoundStage! Ultra). “Are you attending the Florida show?” Wynn asked as an aside.
Last November, I wrote about the Estelon Aura loudspeaker on SoundStage! Hi-Fi in my “System One” column. In that article, I described how I purchased some Tönnen Sound acoustic panels from Amazon to help tame some reflections in my living room. I also created a video on our YouTube channel about the Tönnen panels and two other panel-type products—smaller hexagonal- and square-shaped felt-type absorbers—that I’d also bought from Amazon.
Sometimes you just luck out. I’d sat for a while listening to the TAD Laboratories Reference system, and it was a packed house, as you’d expect on a Saturday afternoon at an audio show. I sighed to myself and figured I’d nip back up to my room and grab my laptop so I could come back down and sit, listen, and write, as is my wont. It works well at shows, I find, to sit still in a chair and write about the room, rather than gather details and then write it up later in my room or at the bar over a light Yankee beer.
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