Sometime after the last Leo’s Stereo closed, my father would take me to The Wherehouse on Saturday mornings to shop for CDs. When that chain of stores folded, he moved on to Target or Best Buy or Sam Goody at the local shopping mall. That one could own music, a tangible thing for personal enjoyment, shaped my upbringing. What we didn’t know then was that store shopping—seeing the newest displays, rifling through plastic letter dividers and name placards—was an endangered endeavor.
I’m going to begin this part of the coverage with a confession: I almost didn’t write this article. That’s because, although I got my feet under me to do the second part of the coverage more efficiently, I’ve seen so many products and talked to so many people at Montreal Audiofest 2022 that, as I’m typing this, I don’t feel like writing more—I’m spent.
As I mentioned in the first round of show coverage, I was feeling a little overwhelmed by being the only SoundStager here covering the show. But by staying up late on the first show-day night and sorting through my photos and notes, I got my feet under me and was better prepared for the next day of coverage. Below you’ll find more of what I witnessed at Montreal Audiofest 2022, with all prices in Canadian dollars, except for the product described at the very end.
For the first time in a very long time, the first day of Montreal Audiofest 2022 had me feeling a bit overwhelmed. Not long after I got off the escalator that took me to the lower level, which had the largest rooms and the most exhibitors, I knew that there would be more new and/or interesting products than I originally thought might be at the show. This was just like Florida Audio Expo 2022, which I’d covered in February—it wound up exceeding my expectations. But unlike at Florida Audio Expo 2022, where I had Jason Davis to help me cover it, I decided to go to the first Montreal Audiofest since 2019 alone—we usually have two or three people at this event.
I was initially going to include the PS Audio Aspen FR30 loudspeaker in the regular product coverage, but when I realized that I wanted to write far more than a regular show-coverage caption, I thought it deserved to stand as a story on its own. The speaker was, without question, one of the most interesting new products at Montreal Audiofest 2022—and it was something I really wanted to hear because I’ve been wondering about it since about the beginning of this year.
I always arrive at shows at least a day early to get going on our coverage, but I get disappointed if no company is set up or there’s no one to talk to, because there ends up being nothing to do. But when I walked into the Hotel Bonaventure Montréal, which is home to Montreal Audiofest 2022, at about 6 p.m. on Thursday, March 24, I immediately ran into Lily Luo, owner of Motet Distribution, who said, “The guys from KLH just arrived. We hope you can make it to our dinner in fifteen minutes. It’s a casual thing.”
If you’re like me and use your audio system to both enjoy stereo music and watch films with multichannel audio, you’ll appreciate a high-quality, universal disc player. Optical disc players are still the best way to watch movies with 4K Ultra HD video and uncompressed Dolby TrueHD or DTS-HD Master Audio soundtracks, and there are also some audio enthusiasts who still like to play SACDs, CDs, and even DVD-As. Granted, there aren’t many audiophiles whose main systems do double duty like mine, and with the proliferation of streaming services for both music and movies, optical disc players in general, let alone universal disc players, aren’t as highly sought after as they once were.
SoundStage! isn’t my only side hustle. Through the spring, summer, and fall here in Toronto, Ontario, Canada, I also moonlight as senior editor of Inside Motorcycles, a Canadian print magazine. My duties at IM mirror those here at SoundStage!—I test stuff and write about it. I test motorcycles, helmets, clothing, and parts, and I write touring travel articles. But mostly I test motorcycles.
Alex Sound Technology
The room hosted by Alex Sound Technology—a newcomer on the Florida distributor scene—was packed all weekend. From the hallway, on multiple visit attempts, I glimpsed a handsome pair of Blumenhofer Acoustics Genuin FS MK 2 loudspeakers (starting at $21,050 per pair, all prices USD) wrapped in a striking Makassar ebony veneer. I’m a sucker for big-cone two-ways, and the Genuin FS MK 2 filled the bill: high-efficiency, 12″ paper woofer, floor-ported bass-reflex design, and a horn-loaded compression driver mounted atop the cabinet.
In my previous product-coverage articles, I tried to include a broad range of product categories. For this third and final installment, I’m keeping it mostly to loudspeakers, since I came across several interesting ones. But I also added one amplifier into the mix because I felt that it was important to include in the coverage. All prices are in US dollars.
It’s easy to fall in love at an audio show.
It’s easy to fall out of love at an audio show.
Depending on whom you ask, there is uncertainty in the audio show business. Some forecast gloom and doom, suggesting that the show model has run its course, and that the COVID-19 pandemic has only heightened its irrelevance. Others (extroverts, I’m sure) have been dying to corner press contacts in person for the first time in two years in the show’s hallways—or over coffee at the restaurant’s breakfast bar or over drinks after hours—exuberant to share in the spectacle of the hotel audio experience.
The speed with which my first round of coverage showed up online was because the manufacturers whose products it featured sent out detailed preshow press releases about what they’d be displaying at Florida Audio Expo 2022. Having that information ahead of time let me know that those products would be there and provided details that I didn’t have to waste time getting in the display rooms. Instead, I went straight for the rooms the products were in, photographed them, got out, wrote them all up, and then uploaded the completed coverage online. I am bringing this up as a less-than-subtle hint for those manufacturers still wondering about the best way to get covered in a show report quickly.
The third annual Florida Audio Expo (FAE) kicked off on Friday, February 18, around the time that the Omicron variant of the COVID-19 pandemic began to decline nationally. After an underwhelming CES, the question on everyone’s mind was whether manufacturers, dealers, and showgoers would actually show up.
It’s fitting that Florida Audio Expo 2022 is the first hi-fi show I’ve attended since the COVID-19 pandemic began. That’s because the last show I attended prior to the pandemic shutting everything down was Florida Audio Expo 2020. It was held then at the same site of its inaugural year, 2019: the Embassy Suites by Hilton Tampa Airport Westshore, located in Tampa, Florida. And it’s back there again this year. It’s a great place to hold a hi-fi show—if only to get so many of us out of the snow for a few days.
My book, The Perfect Sound: A Memoir in Stereo, tells the story of three journeys—my own audio quest for the past 15 years, my love of all kinds of music since I was a kid in Hawaiʻi back in the 1950s, and the story of amplification itself from early acoustic instruments and classical amphitheaters to modern electronics and speakers. It’s part memoir, part personal audio chronicle, and part essayistic history of audio itself told through selected highlights. It took me a long time to write.
The term format agnostic has been showing up lately in certain hi-fi circles. I’m no linguist, but I am a fan of words and the creative ways we use them. These two words, in combination, caught my attention.
Most high-end speaker manufacturers practice some form of quality control (QC) measures to ensure that their products leave the factory performing and looking exactly as they intend them to. These QC methods typically involve visual inspections—sometimes with special lighting or other tools that make obvious the smallest cosmetic flaws—and listening tests. The best manufacturers add acoustical testing to these QC steps.
Here’s my second batch of new audio products I saw as one of the handful of press attendees at the 2022 CES in Las Vegas this week. Why so few? Because I found only three major audio companies at CES. In fact, although I expected to see lots of headphone and Bluetooth speaker brands, they bailed, too—the biggest one I saw was Raycon, best known for heavily advertised and relatively cheap true wireless earbuds.
Against all odds, the 2022 CES took place this week in Las Vegas, even though many major tech manufacturers had pulled out and most press outlets canceled their plans to attend. So why did I go? Partly out of sheer inertia—I haven’t missed a CES since I first visited the show in 1990. Partly out of convenience—I was driving back to Los Angeles after visiting my family in Texas, and Las Vegas wasn’t far out of the way. And partly out of curiosity—I can remember when CES didn’t take over all of Las Vegas, when you could get a good lunch buffet at the Sahara for $6, and when the press events actually focused on new products rather than creating spectacle for the TV cameras. I hoped that the 2022 show would recall those simpler times of my youth. Rosebud . . .
Page 10 of 28
SoundStage! Global is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by JoomlaShack, Karen Fanas, and The SoundStage! Network.
To contact us, please e-mail info@soundstagenetwork.com