You'd think that after more than 40 years of designing loudspeakers and being recognized as the grandfather of the Canadian loudspeaker industry, not to mention receiving countless industry awards over the last few decades, designer Paul Barton would decide to take it easy -- you know, rest on his laurels. But he isn't. In the last few years, Paul, who founded PSB in 1972, has created some of his best loudspeaker designs yet, and he's now honing his skills in another area: headphone design.
The Definitive Technology Mythos ST loudspeaker, which debuted in about 2007 and sold for about $4000 USD per pair, was a groundbreaking design. What made it special was that it married a slender, décor-friendly appearance with audiophile-grade sound quality. As one of our writers once said, "It's the loudspeaker that could get most audiophiles back into the living room." It could also deliver bass weight that was well beyond its small size. Definitive Technology followed up the Mythos ST with the Mythos STS, which was basically a smaller version of the ST that sold for $1000 per pair less. Numerous SoundStage! Network writers have owned, or still own, ST or STS speakers, and there's been nothing but praise for them.
Monitor Audio's director of sales and marketing, Alex Brady (below), is brimming with excitement whenever he speaks -- and he has good reason to be. He's been with the UK-based company since the '90s, but these days he's witnessing the release of some of the best products the company has ever made.
Talk to Totem Acoustic's founder, Vince Bruzzese (shown below), for a few moments and you know you've found someone who follows his own path. Visit his company's booth at CEDIA Expo and you know that he instills these ideals in everyone else who works with him. Whether you're talking about the flamboyant, cutting-edge displays or the products themselves, there's no one else out there doing quite what they do -- but I'm sure there are some who wish they could, because they seem so darn successful.
Cambridge Audio's new Aero-series speakers are affordable and interesting. The core speakers in the line are the Aero 2 bookshelf model and the Aero 6 floorstander, which sell in the United States for $549 and $1099 per pair, respectively. Fleshing out the Aero line are the 5 center-channel ($449), 3 surround ($549 per pair), and 9 subwoofer ($899).
Cambridge Audio is a UK-based firm that's made quite a splash in the market by offering well-built, technically advanced products at affordable prices. Vince Hanada reviewed their Stream Magic 6 last November in SoundStage! Hi-Fi and was so impressed by it that it received Reviewers' Choice and Product of the Year awards.
Candid photos at High End 2013 (taken May 11-12)
Companies featured in gallery below: Audio-Technica, Spendor, Hegel Music Systems, Ayre Acoustics, NAD, Arcam, PSB, Vienna Acoustics, Pro-Ject, Astell&Kern, Opera Only, Rosso Fiorentino, Bel Canto Design, Straussmann, CH Precision
Amphion's Anssi Hyvönen brings an interesting topic of discussion to every event in which he and his company participate. For High End 2013, the topic was studio-quality sound for the home for a reasonable price and without much inconvenience.
Last week KEF surprised everyone by jumping into the headphone market with the introduction of the M500 on-ear cans and M200 in-ear monitors. But is it any surprise? Hardly. This is the fastest-growing segment of hi-fi right now, so with speaker companies such as B&W, Focal, and Paradigm offering 'phones of their own, the folks at KEF probably thought they should too.
In "Part 1" and "Part 2" of this series of articles, I highlighted why it can be important for loudspeaker companies to make their own drivers. One reason is that, as a loudspeaker manufacturer matures, their capabilities grow, and showcasing that newfound growth can be important for the brand. From a more technical perspective, some loudspeaker designers naturally want to control the entire engineering process so that the final products are more wholly their own. These are extremely valid reasons either alone or in concert with one another.
Companies featured in gallery below: Dynaudio, Grimm Audio, Sonus Faber, Wadia, Octave Audio, T+A, Audio Research, Crystal Cable, Penaudio, Apoll Acoustics, Gato Audio, Kaiser Acoustics, Auris Audio, Aurelia
Candid photos at High End 2013 (taken May 9-10)
Yesterday I examined the question that I know has been burning in your mind: does it matter if a loudspeaker company makes its own drivers? I answered in the affirmative, using the new Sonus Faber Olympicas as an example of why it can be important. And to whom. In Sonus Faber's case, it shows that the loudspeaker company has reached a certain level of maturity in their engineering and has improved their overall technical and logistical capabilities. In other words, they can really make a loudspeaker line. Make as in make.
Companies featured in gallery below: Gryphon Audio Designs, KEF, Nordost, AudioQuest, PMC, Tidal Audio, Audio Physic, Devialet, Simaudio, Naim Audio, Avantgarde Acoustic, Gauder Akustik, Soulution, Constellation Audio
Devialet's Manuel de la Fuente opened the company's May 9 press conference with some important remarks, but probably the most important for me was this one: "What is the future for our industry if everything simply keeps on getting more expensive?"
The subject of making your own drivers comes up at shows. The loudspeaker companies that are doing it themselves like to brag about it, while those that don't . . . well, they don't tend to mention it. To the consumer, as far as I can tell, it doesn't really seem to matter all that much. But should it?
Companies featured in gallery below: Reference 3A, Focal, Resonessence Labs, Grandinote, Kudos, LEEDH, O2A Cables, GutWire, Madison Audio Lab, Synthesis, Gradient, Tri-Art, DeVore Fidelity, Gala-Solo
Did you hear about the new $4.5M Lamborghini supercar? Many did -- the company announced it and it made headlines around the world despite the fact that only a few will ever be built. Obviously, people like to know about expensive stuff just because it's there, not because many can afford it.
Salon Son & Image attracts a large number of exhibitors from all over the world. It's this diverse group of exhibitors that helps to make events such as this one great. So as we've done at previous shows, we photographed a number of people who work for these companies and showcased them in this gallery in recognition of the fine work they do.
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