The SoundStage! Network’s multi-author blog about hi-fi, home theater, and more.
Thirty years ago, audio manufacturers often conducted product demonstrations at audio society meetings. At these demos, the manufacturers gained exposure for their products, had the time to discuss the products in some depth, and happily for all, offered the demo samples at a discount at the event’s conclusion. But at some point, it became harder and harder for many of the societies to find manufacturers who were willing to hold demos, and the number of them gradually decreased.
It was early in the morning of July 27, 2019, at New York City’s PlayStation Theater, when Aub Driver, Discog’s public relations lead, told me that he and his team, readied for the Crate Diggers Record Fair and Concert, were there for the long run. The event occurred in two parts. First, beginning at 10:00 a.m. and running throughout the day, an almost countless number of retailers sold records, tapes, CDs, and assorted musical paraphernalia from tables stacked with crates, thus the event’s name. That part of the event, which featured several live DJs, was free.
In June of this year, I attended an interesting product pre-launch event at a unique venue. Let’s take the product first.
Audio retailer Larry Borden (Distinctive Stereo in River Vale, New Jersey) and I recently paid a visit to Ralph Glasgal at his large, ultra-modern New Jersey home. Ralph, the inventor of three-dimensional (3D) imaging digital signal processing technology Ambiophonics and founder of the Ambiophonics Institute, is generally not known for aiming low. In fact, he hopes that Ambiophonics will succeed the stereo and 5.1 surround-sound formats. Before proceeding, though, I should address Ralph’s interesting background.
I’ve been to a couple of dealer events over the years, and they’re all pretty similar. There are free snacks and usually alcohol. Two or three rooms might be set up for group listening, with a couple of talking heads -- sales guys or someone of note from the manufacturer -- giving a brief spiel, before talking through several pieces of well-trodden jazz music. Questions are encouraged, with brief answers the norm.
Last week, Bowers & Wilkins announced its new Formation line of wireless products, which I first read about on our SoundStage! Australia website. It really piqued my interest.
There wasn’t much advance notice, but it wouldn’t be a pop-up if there were. Recently, New Jersey-based Gingko Audio extended a last-minute invitation to a few audiophiles and fellow manufacturers to attend a pop-up audio demo on March 23. Word of the event was also spread to the New York and New Jersey audio societies.
For whatever reason, it’s been only recently that I developed a profound appreciation of Joni Mitchell’s music. I was therefore looking forward to the “Linn Lounge Presents -- Joni Mitchell” event, held on March 2 at Accent on Music, which is located in Mount Kisco, New York, about an hour north of New York City.
As I wrote before on Soundstage! Global, my past visits to New Jersey’s VPI Industries, a maker of turntables, phono stages, and record-cleaning machines, have been to the company’s showroom, VPI House. During this latest visit, I also toured the company’s factory, located less than five minutes from that location.
Integrated Systems Europe (ISE) is an annual event that is focused primarily on custom-installation (CI) audio/video systems (i.e., in-wall, on-wall, and in-ceiling speakers, as well as home-automation electronics and video displays, etc.), with this year’s show held from February 5 to 8 in Amsterdam, Netherlands. It was there on the second day of ISE 2019 that I met and interviewed Livio Cucuzza, who holds the title of chief design officer at Sonus Faber, the Italy-based manufacturer well known for creating speakers that look every bit as good as they sound. We talked about the launch of the new Palladio custom-installation speakers -- Sonus Faber’s first major foray into this market.
Located in Eastern Pennsylvania, Rogue Audio has designed and manufactured quality vacuum-tube-based electronics for 20 years. In January 2018, Rogue moved from its home of 17 years to a brand new facility it had constructed from the ground up. Shortly before Christmas, I visited the new premises, bringing along my brother, Sathyan Sundaram, who also writes for the SoundStage! Network. He also took the photos for this piece. Befitting the season, we stayed nearby in Bethlehem, Pennsylvania, where there was, as it happened, room at the inn -- the Holiday Inn, that is.
January 31, 2019 -- it was on the coldest of winter mornings that I arrived at Flux Studios on New York City’s trendy Lower East Side to audition Q Acoustics’ Concept 300 speaker ($4499.99 USD per pair with stands). This British audio company made a bit of a splash with its entry-level 3000i-series speakers, which had the reputation for providing great sound and high value. The prospect of seeing what the company could do further up the price chain was intriguing enough to get me out of bed early.
Tony West of Adirondack Audio and Video joined me on my latest audio excursion, this time to visit Devialet’s flagship store in New York City’s SoHo neighborhood. Our goal was to audition the company’s main product lines -- the Phantom Reactor and Phantom Premier series of wireless speakers, as well as the Expert Pro all-in-one amplifiers. Now one of four Devialet stores in the city, the flagship is only steps from the company’s New York office space, but a long distance from its headquarters, located in Paris, France.
I recently wrote about a listening party that I attended at DeVore Fidelity’s “Monkeyhaus” factory and listening room, located in New York’s Brooklyn Navy Yard, for two independent, audiophile-approved jazz record labels: Newvelle Records and Greenleaf Music. When I headed back to that haus for a more in-depth investigation of DeVore and its self-described “top banana,” John DeVore, I was determined to uncover any monkey business that had gone undetected during the first go-round.
On December 7, 2018, I traveled to DeVore Fidelity’s “Monkeyhaus” factory and listening room, located in New York’s Brooklyn Navy Yard, to attend a party hosted by DeVore for two independent audiophile-approved jazz record labels: Newvelle Records and Greenleaf Music. According to the invite, the party offered “high-end pizza, wine and spirits, and a special selection of vinyl on some very beautiful speakers.” Present were John DeVore, the company’s chief designer and owner, and many of his employees, distributors, and other partners, as well as the founders of these two labels and many of their recording artists.
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