The SoundStage! Network’s multi-author blog about hi-fi, home theater, and more.
Located in Brooklyn, New York, Bache Audio mostly manufactures audiophile speakers. On July 5, 2020, Greg Belman, Bache’s founder, invited me over for a listening session. It was my first face-to-face audio meeting since the global pandemic’s start.
The times have changed. If not for the global pandemic, I would have been reporting recently from audio events that were scheduled to be held in Germany and Switzerland, not the least of which was Munich’s High End 2020 show. Of course, those events were cancelled, and SoundStage! Global, which covers worldwide audio happenings, has had to at least temporarily scramble to find content. So on June 26, 2020, I attended an Audiophile Society Zoom meeting during which members of Krell Industries gave a presentation. Truth be told, since I am a Society member, I would have attended the meeting and reported on it anyway.
Doug Schneider, the SoundStage! Network’s founder, isn’t much into audio gimmickry. He’s seen a lot of products in his 26 years as a journalist, and he pretty quickly separates the wheat from the chaff. Products that are based on suspect or imaginary technologies don’t get much attention from him.
On February 14, Andrew Singer, proprietor of Sound by Singer, an audio store in New York City’s Chelsea neighborhood, hosted Denmark’s Gryphon Audio Designs for a demonstration that asked a simple question: could Gryphon’s statement Ethos CD player/upsampling digital-to-analog converter ($39,000, all prices USD) compete with a high-end turntable?
Having only one unallocated day left to meet with audio manufacturers during my planned January 2020 trip to Japan, I called Andrew Jones, Elac’s vice president of engineering, for a manufacturer recommendation. Before joining Elac, Jones designed speakers for Japan’s Pioneer Corporation and its high-end subsidiary, Technical Audio Devices Laboratories, better known as TAD. Perhaps not surprisingly, Jones suggested that I contact TAD’s Tokyo headquarters, which I did. Shortly thereafter, January 16 was confirmed as the date of my visit.
I’m always on the lookout for interesting companies to tour when I visit Japan. On this last trip in January, I thought it would be informative to check out Asahi Kasei Microdevices (AKM), maker of, among other things, digital-to-analog converter (DAC) chips. AKM doesn’t sell directly to audiophiles, but rather to many audio manufacturers who incorporate the company’s products into their components. However, despite AKM’s industry-wide reach, it’s known only vaguely, if at all, to most audiophiles. As it turns out, I had no idea just how interesting my visit would be.
Thanks to an introduction made by Canadian distributor Audio Alliance, Accuphase Laboratory was the first stop on my January 2020 trip to Japan. Traveling from my hotel in Tokyo’s bustling Ueno area in the Taito district, I arrived at a local train station to meet Kohei Nishigawa, Accuphase’s international marketing supervisor. “I came to pick you up in the Accuphase car,” Nishigawa offered. Sure enough, he directed me to the station’s parking lot, where we got into a white Toyota SUV bearing orange Accuphase logos on its sides and rear.
On December 16, 2019, I visited Synergistic Research’s headquarters and factory, located in Santa Ana, California. Glad to avoid the unwieldy Los Angeles International Airport for the smaller and virtually painless John Wayne Airport, which is located only about ten minutes from my destination, I was greeted curbside by Andy Wiederspahn, Synergistic Research’s general manager.
Shortly before the beginning of 2018, Soundstage! Network founder Doug Schneider visited Magico founder Alon Wolf at the company’s headquarters and factory in Hayward, California, to hear the then-new Magico A3 loudspeaker ($12,300/pair, all prices USD). On December 17, 2019, almost two years after Doug’s visit, I arrived at Magico to hear the company’s new A5 loudspeaker ($21,800/pr.).
I was back at New York City’s Chelsea Wine Vault on October 19, 2019, for another audio event, this time featuring product demonstrations by Dragonfire Acoustics and Theoretica Applied Physics. As I have written before, the Chelsea Wine Vault mixes a gorgeous retail wine store with high-end audio. Now-retired Wall Street tycoon Andrew Hoover III, who stores his wine collection in the Vault’s commercial wine-storage facility, has so many high-end audio systems that he uses the Vault as his system overflow space. High-end systems are everywhere!
On October 31, 2019, I attended the grand opening of the first North American Focal Powered by Naim store, in sunny Scottsdale, Arizona. With stores already open in Seoul, South Korea, and Lyon, France, Focal’s and Naim’s French parent corporation, Vervent Audio Group, seeks to further expand the global footprint of these two well-known European audio brands by building a worldwide network of stores to showcase their products. (The Lyon store is called La Boutique du Son.)
At the 2019 Toronto Audio Fest, to be held October 18 to 20, Simaudio will publicly display for the first time its new Moon 680D DAC-streamer, which is priced at $9000 (all prices are USD). On October 2, however, I visited product manager Dominique Poupart at the company’s factory in Boucherville, Quebec, Canada, to see the first 680D that came off the production line and learn more about it. I felt it important to go there because Simaudio has long been known for producing some of the best-sounding digital-playback products in the world.
In August of this year, the New York and Long Island audiophile societies, respectively known as The Audiophile Society and The Audio Syndrome, hosted Andrew Jones, vice president of engineering for Elac. Each audio society’s events are typically well-attended; however, this meeting, held at a member’s home, was packed to the proverbial rafters. This was due not only to the attendance of members from both clubs, but the opportunity to witness Jones demonstrate Elac’s newest active speaker, the three-way, floorstanding Navis ARF-51 ($3999.96/pair, all prices USD), and provide insights concerning its design.
On September 17, the audio world sucked in its collective breath after Amazon announced a new streaming service offering lossless CD-resolution and high-resolution music. Amazon Music HD has over 50 million CD-resolution tracks, plus “millions” of “Ultra HD” tracks with higher-than-CD resolution, up to 24-bit/192kHz.
A recent business trip took me to Canada’s national capital, Ottawa. In addition to being the political center of Canada, it’s the home of the National Research Council, where SoundStage! performs its loudspeaker measurements. It’s also the location of electrostatic loudspeaker manufacturer Muraudio.
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