Companies featured in gallery below: Bryston, Acoustic Signature, Audio Physic, Avantgarde Acoustic, Ch Precision, Emillé Labs, Pathos, Raidho Acoustics, Stenheim, Tidal, Voxativ by Schimmel Pianos
All prices in euros unless otherwise indicated
I just love loudspeakers, so something like KEF's new Blade speaker really charges me up. It's not just because the speaker looks nice or sounds great or is brand new; it's because KEF has forged ahead and made what I feel are real advancements in loudspeaker design.
Companies featured in gallery below: Gryphon Audio Designs, Alpha Design Labs by Furutech, Audio Research, Denon, Elac, Focal, Marantz, KEF, Sonus Faber, Triangle
All prices in euros unless otherwise indicated
Audiophiles tend to have a love-hate relationship with so-called "digital" amps. These switching-type designs can deliver extremely high power and very good sound, quite often for a reasonable cost. However, few will tell you that these modern amplifier devices are flat-out better-sounding than a cost-no-object conventional solid-state or tube design. For me, nothing rivals the sound of a pure-class-A solid-state amp no matter how ludicrously large, heavy, and hot it might be.
What would you say if I told you that the state of the art in loudspeakers can be purchased for half, or even a quarter, of the price you might think? Not really good speakers. Not almost-the-best-you-can-buy speakers. But state-of-the-art speakers. As in better than what was available just a few years ago at crazy six-figure prices!
Would you be surprised? Excited?
The SoundStage! Network has produced videos at shows such as High End for approximately three years; however, this is the first video shot, edited, and published at an event, another milestone in our long history of producing cutting-edge, on-the-spot coverage.
I'm noticing a definite increase in the number of high-quality two-and-a-half-way speaker designs. At this show I was bowled over by Jeff Joseph's new Perspective, a two-and-a-half-way floorstander that costs $11,800 per pair, and I also quite liked Vienna Acoustics' Mozart Grand Symphony Edition (SE), which is just under one-third of the price: $3500 per pair.
I don't really like using classical music for evaluating systems under show conditions. The environment's generally too noisy to flatter the high dynamic range and delicacy of well-recorded symphonic music. And baroque is just too precious for me to take seriously for anything other than brunch in a quaint bistro. So it's usually jazz for me unless I feel like clearing a room, at which point Mr. Bungle or Tomahawk usually does the trick.
Imagine my surprise when I walked into the Codell Audio room and saw my home system pretty much set up and playing music.
Companies featured in gallery below: Hegel, Rega, Atoll Electronique, Tangent Audio, Thrax Audio, Triangle, Vienna Acoustics, Beyond Frontiers Audio, Kronos, DeVore Fidelity, Sonus Faber, Nagra
All prices in Canadian dollars unless otherwise indicated
Rooting around an audio show for analog products is just so 20th century. It's like searching for buggy whips at a car show.
I never get tired of audio shows, just as I'd imagine test pilots or (trust me on this one) motorcycle reviewers wouldn't get bored with their work. It's just so much fun. Not so much, though, for the distributors and manufacturers who put in long hours sitting in their rooms repeatedly answering the same questions.
As far as we can tell, everyone, including us, really likes the Hilton Bonaventure hotel, which has been home to Salon Son & Image since 2010. It's a bit weirdly situated -- more or less like a luxury three-story hotel atop a nine-story building -- but it's beautiful in many ways. I recommend staying here, particularly if you're attending the show. On the other hand, most of us have a love-hate-hate relationship with the lobby restaurant/bar.
The wacky world of audio contains a huge number of fringe players. You've got the Lowther single-driver crowd who get their kicks from a remarkably quick midrange at the expense of the frequency extremes. There are the horn dudes who crave the jump factor of their 104dB-efficient speakers despite vocals that often sound like they're coming out of a megaphone.
The reason I like loudspeakers so much is that they all sound so different -- never in my life have I found two speaker models, even from the same company, that sound exactly the same.
Analog is just wonderful in my books. It's arcane, elitist, and fussy. That might seem like a strange group of adjectives to use for praising an audio format, but it's a big part of the draw, man.
The arcane and elitist parts intrude on each other's turf. A great many kids don't even know what records are, so that keeps analog on the fringe, while the relatively high price of entry keeps out the riff-raff.
It's extremely hard to put on a truly great demonstration, but, as strange as this sounds, it's just as hard to put on a really horrible presentation that will have someone scurrying for the door in 30 seconds flat. Usually I have much more tolerance for crap displays and I'll stick around for a few minutes, if only to be polite. In Montreal this year, there were three rooms where I just couldn't stand it any longer and I headed for the door quickly because they were just way too loud for anyone's good.
Companies featured in gallery below: Dynaudio, Luxman, Monitor Audio, Oracle, ProAc, Raysonic, T+A, Voxativ, Joseph Audio
All prices in Canadian dollars unless otherwise indicated
Don't ask me why, but I wasn't expecting much from Joseph Audio's new Perspective loudspeaker when I first went into their room. Frankly, I can't put my finger on why I felt that way. I'll cut to the chase, though, and tell you that it blew me away. The Perspective is a two-and-a-half-way design that will sell for $11,800 per pair when it becomes available in June. The Perspective's parts quality is extremely high and the technology borrows from the company's flagship Pearl2 design.
The North American press can rightfully be accused of missing the boat when it comes to Vivid Audio, a company that does its design work in Britain and its manufacturing in South Africa. That includes us. Vivid released their B1 loudspeaker in 2004, yet we only reviewed it in 2010, and some other magazines are just getting around to writing about it. The B1 is still current in their line-up, and they have no plans to change it.
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