There's a well-known saying: What happens in Vegas stays in Vegas. We now have another one: What you buy in Vegas will be many times as expensive in Vegas.
Let's get down to brass tacks and talk results. Here is what I heard from the Super Speakers of CES 2011.
There's a fine balance between humility, genius, and arrogance. High-end audio is full of people who profess to genius, who make their careers by claiming to have special insight into electronics or speaker design.
Back in 2008 I reviewed the Crystal Cable Arabesque all-glass speaker and found it to be the most thrilling product that I've ever covered. It sounded fantastic, and just look at the thing -- it’s drop-dead sexy and absolutely unique!
You have to admire aspiration and vision. The renderings for Verity Audio's new Monsalvat loudspeaker ($325,000 per pair) show truly inspired thinking. It's simply beautiful. Not beautiful as in a really good-looking loudspeaker, but beautiful as art in and of itself.
Companies featured in gallery below: Crystal Cable, Anthony Gallo Acoustics, Focus Audio, Vitus Audio, Esoteric, Bel Canto Design, Zanden Audio, Eximus, Convergent Audio Technology, dCS, Constellation Audio, M2Tech
Companies featured in gallery below: Alpha Design Labs, Furutech, DH Labs, Essential Sound Products, Genesis Advanced Technologies, Estelon, MSB Technology, Venture, Volent, Beyerdynammic, Sherbourn, Cambridge Audio, Audio Aero, Avalon Acoustics, Boulder Amplifiers, Hi-Fi Tuning, EgglestonWorks
We'd just finished presenting the crew from Ayre Acoustics with the 2010 Product of the Year award in the electronics category for the MX-R mono amplifiers and KX-R preamplifier when we noticed the new VX-R stereo amplifier, which is sure to be a hit with audiophiles worldwide.
SoundStage! Network contributor Roger Kanno goes by the nickname Mr. Las Vegas. He knows every slot-club and coupon deal in the city, he's mapped out shortcuts through each casino, and he's established quality ratings for every hotel buffet. So when it comes to CES meals and event planning, he's our man.
Rarely do I hear anything at a show that makes me sit up and take notice like the PSB Imagine Mini did. But after hearing it, I couldn't wait to get back to my SoundStage! Network colleagues and tell them how good PSB's new Imagine Mini sounded.
Companies featured in gallery below: Bryston, Jones Audio, Lamm Industries, NuForce, Parasound, Tidal Audio, Usher Audio, YG Acoustics, Audio Power Labs, Magico, Dan D'Agostino
The Paradigm Atom loudspeaker has been one of my favorite budget recommendations for many years. Paradigm is now set to introduce an active version of the Atom called A2.
The world is perverse and it thrives on irony. Today I went into the Venetian hotel, home of CES's high-performance exhibits, looking for the rich vein of analog gear that I just knew would be threaded through the entire show.
In some ways, the Tidal line of speakers looks quite conventional and some of the materials they use may seem common. But when you hear Tidal speakers, you know there's far more going on under the surface than might be obvious to casual onlookers.
Companies featured in gallery below: Paradigm, Amphion, Audio Research, Ayre Acoustics, Polk Audio, PSB, Etymotic Research, Bowers & Wilkins
Could the B&W Nautilus be the most iconic loudspeaker of all time? How many companies have copied B&W's Matrix enclosure-bracing system over the past decade?
As we presented the SoundStage! Network Product of the Year award for stereo loudspeakers to Richard Vandersteen for his Model Seven design, it was obvious to me that this model represents a top choice for a discerning audiophile seeking a state-of-the-art time-and-phase-aligned speaker.
All products were reviewed in SoundStage! Hi-Fi, SoundStage! Xperience, GoodSound! or Ultra Audio during the 2010 calendar year.
Those were the days: You could build a "high end" loudspeaker by purchasing off-the-shelf drivers, tinkering with the crossover network in your garage, and building the cabinet with a table saw and a few bar clamps.
CES 2011 doesn’t start until January 6, but the key to creating a timely, relevant show report is to make sure you’re prepared well ahead of time. We arrived in Las Vegas on January 3, and we started work on January 4 to get a quick head start.
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